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“On the last day, in her notes, Twyla had a white paper with ‘Veronika’ on it and a big plus in a circle. Part came away with a priceless keepsake. Tharp’s “work is very” her voice lowered to a whisper “sexy in a good way.” I was on the bus, so happy it’s when you feel you did something completely new, that nobody could expect from you and you didn’t expect from yourself.” “The day after we finished the performances I went to Boston to visit my friend. During the two-month process, which resulted in a private studio performance, she discovered yet another side of herself. Part confronted a few of those fears on a side project with Twyla Tharp featuring the music of Frank Sinatra. I want to be able to do this without any fear.” “I saw how Alessandra Ferri and Julio Bocca reached this level. “I want to go onstage and to be able to express everything that I have inside,” she said. Her new rank doesn’t mean as much to her as fulfilling a more timeless ambition. She is enjoying the moment.” She laughed. She doesn’t think about what will happen to her. “First, it’s who am I supposed to be? The Sylph is very feminine even if she’s not a woman. “When I’m preparing some role, I’m not thinking of Veronika doing it,” she said. Part immersed herself in videos of past performances. She becomes that creature when she’s working on the steps.” I think the nice thing about her is that it all comes together at the same time. “I felt she was receptive and eager to learn what I knew about the role. Part has been working with Martine van Hamel, a former Ballet Theater star who is also tall and danced the part with the company in the 1980s. Andrea Mohin/The New York Timesįor “La Sylphide” Ms. And freedom means more consistency.”Ĭredit. When I’m more relaxed, it means more freedom. “I know it can be very obvious that I am nervous or don’t feel comfortable. “Sometimes I fight with myself,” she said. She has been miscast over the years, particularly as Aurora in “The Sleeping Beauty,” though as the ballet’s Lilac Fairy, she was in control and resplendent. Consistency remains a problem, mainly in allegro parts in which her long legs make fast footwork difficult. When her body cooperates, her dancing is majestic as in Alexei Ratmansky’s new production of "On the Dnieper" but there are times when she can stumble in pirouettes and wobble in balances. Her innate sense of drama and unforced jump will be on display this week when she performs Myrta in “Giselle” and, on June 17, the lead in “La Sylphide.” Tall and naturally suited to adagio roles that highlight slow développé extensions and a luscious upper body, Ms. She isn’t a wispy sort of ballerina, but a womanly one. Part, with creamy skin, high cheekbones and flashing dark eyes, possesses an Old World glamour reminiscent of Ava Gardner. I didn’t want to feel sorry about what I didn’t do, so I just decided to keep going.” “But at the same time I felt like I didn’t want to go back, because I had changed many things about myself. “I had a choice to go back to Russia and be with my family and lead a different life,” she said. Rehearsing On the Dnieper in May, and on a break at the Metropolitan Opera House, below. I couldn’t find who the real Veronika was and how I wanted to be onstage.” But if I want to live in America, I have to be somebody else. “When I came to America, I was completely a Russian ballerina,” she said. Part learned English by assiduously watching “Seinfeld” and has worked even harder to change her character. Formerly a soloist with the Maryinsky Ballet, Ms. Now 31 and a newly anointed principal dancer with Ballet Theater, she is far from the girl who fantasized about marrying a prince on a white horse. Part has a darkly casual way of revealing something sad and following it up with a guttural, sensuous laugh. “My father came once for two weeks, and he didn’t like New York.
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“I didn’t know how to go to the store and buy sheets,” she said. When she arrived to join American Ballet Theater as a soloist seven years ago, she spoke no English and had only two suitcases. Petersburg, Russia, but grew up in New York.
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